'In the realm of Indian cinema, Kalki Koechlin stands as a beacon of thoughtful artistry, eschewing the allure of fleeting fame and box-office success in favor of projects that resonate with her soul and ignite meaningful conversations. As she delves into her cinematic journey, she meticulously evaluates each prospective role, seeking out narratives that challenge societal norms, provoke introspection, and reflect the complexities of human experience.
Koechlin's discerning approach to script selection stems from both her passion for storytelling and her unwavering commitment to her family. 'I am very selective with my projects,' she affirms, 'not only because I want to ensure that the stories I tell are impactful and meaningful but also because I prioritize time with my daughter. It is essential for me to find projects that truly captivate my imagination and warrant my absence from her.'
Despite the abundance of streaming platforms and production houses, Koechlin acknowledges the scarcity of high-caliber scripts, recognizing that not every project possesses the potential to be a cinematic gem. 'It is a waiting game,' she explains, 'where one must patiently sift through numerous scripts, hoping to uncover that rare gem that truly resonates.'
Reflecting on her recent work, Koechlin highlights her roles in 'Kho Gaye Hum Kahan,' 'Sam Bahadur,' and the second season of the acclaimed series 'Made in Heaven.' Each project represents a testament to her ability to inhabit diverse characters and bring their stories to life with authenticity and depth.
Koechlin's discerning eye extends beyond her own career, as she laments the dearth of compelling narratives centered around women over the age of 40. 'There is a prevailing harshness directed towards women in this age group,' she observes, 'a lack of understanding about the physical and emotional transformations they undergo. This void in representation stems from a lack of female voices in the storytelling process.'
As women writers and directors gain prominence, Koechlin believes that a wealth of empowering stories will emerge, shedding light on the experiences of women in their later years. 'When women are at the helm of storytelling,' she asserts, 'we can expect narratives that delve into the complexities of perimenopause, menopause, and the evolving lifestyles of women as they navigate this stage of life. Hollywood has made strides in this regard, with stars like Jodie Foster, Meryl Streep, and Cindy Crawford gracing our screens with such stories.'
Koechlin's aspiration is to witness a similar surge in India, where stories centered around the diverse experiences of women over 40 take their rightful place in the cinematic landscape. 'These women have rich stories to tell,' she emphasizes, 'and it is time for us to amplify their voices and celebrate their journeys.''
